tag:blogger.com,1999:blog-24746983437568035512024-02-08T12:44:32.986-08:00Space FillersA portion of microchip memory located somewhere in cyberspace.
A slate on which I can scrawl.
A sketchpad of the mind.
'Stairway thoughts' as I meander down my life's final flight.Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.comBlogger8125tag:blogger.com,1999:blog-2474698343756803551.post-20821075905268880902014-05-28T19:05:00.003-07:002014-05-28T19:05:36.285-07:00<br />
<strong>The Moving Finger Writes ...</strong> <br />
<br />
<div class="MsoNormal">
<span>When Night spreads its peace over tumultuous Day and birds pause in their proud, brave<span> </span>songs of life, much arcane lore is whispered among the gray-garbed old ones gathered secretly in secluded glades.<span> </span>Now grown very old, I am granted permission at last to don the robe and to sit at their councils.<span> </span>Listening, privy to their ancient wisdom, I have learned much.</span></div>
<div class="MsoNormal">
<span><span> </span></span></div>
<span>They speak in wispy, withered voices of legends from distant, fey, near-forgotten lands.<span> </span>One such tale concerns a book.<span> </span>Not a book as found in our libraries.<span> </span>No, this is a book writ large — a book so immense that there are individual pages in it devoted to each and every living person.<span> </span>And every person who has ever lived.<span> </span>Also to be recorded in this book, they say, will be the future of humanity, stretching on and on into a blazing, unimaginable sunset.<span> </span>It shall be recorded through the deeds, good and evil, of every person who shall yet live before our race, too, passes into that great unending darkness.</span><br />
<span></span><br />
<span>This vast book is arranged in a curious fashion.<span> </span>No matter where you open it, no matter how you turn the gargantuan sheets of parchment [for such is the stuff of legendary books, my dear,] you will find that for each and every soul there are two pages, identified at the top with the person’s name.<span> </span>Wherever you choose to open the book you will find, inscribed in an elegant elfin script, all the events of one single life displayed.</span><br />
<span></span><br />
<span>Look more closely, child.<span> </span>The book is open to a name.<span> </span>See?<span> </span>On the left-hand page is written, neatly in order, all of the bad things that person has done.<span> </span>And, as you might guess [this being a true legend,] on the right-hand page, again in strict order, each and every good thing he or she did is put down, line by line, day by day, detailed for all eternity in ink of deepest black.</span><br />
<span></span><br />
<span>New entries are made each day for those now living.<span> </span>If an evil or bad thing, it is entered on the left-hand page.<span> </span>If a good thing, on the right-hand page.</span><br />
<span></span><br />
<span>Attend me, now.<span> </span>There is one curiosity in the entries.<span> </span>If one has had an opportunity to do something pleasurable, something which does no-one an injury, and has for whatever reason abstained from the doing of it, the entry records the choice … on the left-hand page.</span>Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com1tag:blogger.com,1999:blog-2474698343756803551.post-36451145552960589692014-05-28T19:00:00.000-07:002014-05-28T19:00:49.037-07:00<strong>Four by four.</strong><br />
<br />
<span>Let’s talk quatrains. First thing to know</span><br />
<span></span>Is that each verse has four lines. So,<br />
When we are working in this style,<br />
We’re thinking four (4) all the while.<br />
.<br />
With that all set, let’s count the beat.<br />
There’s four? Te-tra-meter. That’s neat!<br />
(If five, we’d call it ‘pen-ta-‘, no?<br />
For three, ‘tri-’ is the way to go.)<br />
.<br />
Then there’s the rhyme scheme: it can be<br />
AABB, ABAC,<br />
ABAB, ABBA,<br />
(and yes, this can go on all day.)<br />
.<br />
So there it is: a simple way<br />
To structure what you wish to say.<br />
(Quatrains are often where it’s at.<br />
They’re all you’ll find in ‘Rubaiyat’.)Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com0tag:blogger.com,1999:blog-2474698343756803551.post-26191500012702094552009-06-24T12:09:00.002-07:002012-06-08T04:45:17.077-07:00<strong>Pencil sketches </strong>[aboard the Carnival Miracle, early June, 2009]<br /><br /><br /><strong><span style="font-size:85%;">Grand Turk Island, morning, 6/4/09</span></strong><br /><br /><span style="font-size:85%;">Phthalo? No, not that intense blue hue. Rich Ultramarine perhaps, with Cerulean sky behind clouds of Titanium White, themselves under-girded with hints of Payne's Gray.</span><br /><span style="font-size:85%;"><br />I've known that sky, but not this ocean! Blue on green on colors too strange in context and juxtaposition to name -- much less mix on palette.<br /><br />The meaning of watercolor is now for ever changed.<br /><br /><br /><strong>Mimic</strong><br /></span><br /><span style="font-family:Times New Roman;">From the ship the sand of the beach mimics the sand of home. Up close, it displays its parentage to those who a</span><span style="font-family:Times New Roman;">sk: coral by coral it is, not northern quartz out of granite.</span><br /><br /><span style="font-family:Times New Roman;">I'm a stranger here on this alien beach in this foreign world.</span><br /><br /><br /><strong><span style="font-size:85%;">Resources</span></strong><br /><br /><span style="font-family:Times New Roman;">I try to take what my eyes see here and mold it, shape it, transpose it into words.</span><br /><br /><br /><p><span style="font-family:Times New Roman;">But eyes have no dictionary and can't spell very well.</span><br /><br /><br /><span style="font-family:Times New Roman;"><strong>Strangers</strong></span><br /><br /><span style="font-family:Times New Roman;">I would know the people of Grand Turk Island, but they're busy making their livings. They have no time to </span><span style="font-family:Times New Roman;">spare now -- our ship here for so few hours. </span><span style="font-family:Times New Roman;">We pass without touching each other.</span></p><p><span style="font-family:Times New Roman;">Sailing time arrives too soon for us all.</span></p><p><span style="font-family:Times New Roman;"></span><br /></p><p></p><p><strong></strong></p><p><strong><span style="font-size:85%;">Doodles</span></strong></p><p><span style="font-family:Times New Roman;">We're back aboard. It's air-conditioned, orderly, quietly civilized. Free pizza by the slice in six variations.</span><br /><span style="font-family:Times New Roman;">The little biting flies of the water's edge have no passports.</span></p><p><br /><span style="font-family:Times New Roman;">It's back. The subtle shuddering of the decking, a slight shiver in the bones of the ship. The engines are up </span><span style="font-family:Times New Roman;">again. We're breaking our tenuous ties to this too-briefly seen land. Adrift again with fragmented memories of </span><span style="font-family:Times New Roman;">things sensed. The tip of the island is just visible in the window, slipping astern. My face feels the furnace sun's </span><span style="font-family:Times New Roman;">touch even yet.</span><br /><span style="font-family:Times New Roman;">I look out again and see only sea. The ship, it's dock-nap over, is again full awake.</span><br /><br /><span style="font-family:Times New Roman;"></span><br /><span style="font-family:Times New Roman;"><strong>At sea, 6/4/09</strong></span><br /><br /><span style="font-family:Times New Roman;"><strong>Directions:</strong></span><br /><br /><span style="font-family:Times New Roman;">Writing can be frustrating work. It's hard to wring reality out. First to go is space: three dimensions compressed, squeezed into two. Next are the colors and the sounds. Smells also fade, disappear. Taste is gone. Touch is reduced to the feel of dry paper.</span><br /><span style="font-family:Times New Roman;">My sense of the world shrinks, becomes the image of black letters forming, one by one, words -- those strange things -- on a white background.</span><br /><br /><span style="font-family:Times New Roman;">Reader! To a generous helping of words, add Life. Stir gently to mix. Season to taste.</span><br /><br /><span style="font-family:Times New Roman;"></span><br /><span style="font-family:Times New Roman;"><strong>Serbia's unofficial ambassador</strong></span><br /><br /><span style="font-family:Times New Roman;">One of the waiters at our evening meal is, without knowing it, performing an extraordinary feat. His name tag gives his home country as Serbia. The US news media, almost without exception, has painted Serbia in dark and sinister tones for several years. Americans are expected to harbor no love for that misfortuned nation.</span></p><p><span style="font-family:Times New Roman;">Perhaps totally unaware of this, our waiter is simply himself: a man of great good heart and warm, outgoing nature. All alone, he nightly wrestles with the image fixed in my mind by the press and, with gentle word and guileless smile, defeats it with the skill and grace of a blackjack dealer turning over his hole card.</span><br /><span style="font-family:Times New Roman;">He has become a trusted friend in these too few days. We shall truly miss him. Once more home ashore, I shall drink to his health with dark, aged slivovitz.</span><br /><br /><span style="font-family:Times New Roman;"></span><br /><span style="font-family:Times New Roman;"><strong>Lido deck, 9PM</strong></span><br /><br /><span style="font-family:Times New Roman;">Country and western music. The usual something about somebody doin' someone wrong.</span><br /><span style="font-family:Times New Roman;">Ship's officers in white walk past, speaking quietly in soft Italian syllables.</span><br /><span style="font-family:Times New Roman;">We're making 21 knots, heading nor'west somewhere east of the Bahamas.</span><br /><span style="font-family:Times New Roman;">I sit and sip my coffee and wonder where everyone is. There's not a passenger to be seen.</span><br /><span style="font-family:Times New Roman;">The sea is calm tonight. Overcast hides a half moon.</span></p><p><span style="font-family:Times New Roman;">All is blackness outside the window.</span><br /><br /><span style="font-family:Times New Roman;"></span><br /><strong><span style="font-family:Times New Roman;">Half Moon Cay, 7AM, 6/5/09</span></strong><br /><br /><span style="font-family:Times New Roman;">Early morning, and we're a few miles off Half Moon Cay. Far, far to the north the Hudson River flows south past Beacon, under the Tappan Zee Bridge and on past New York to the sea. Its waters once knew for a brief moment the hull of the ship which shared its name with this obscure Bahamian isle.</span><br /><span style="font-family:Times New Roman;">The sea is gray this morning, shielded from the tropical colors by an overcast dawn sky. Gray -- like the color of the waters near the Hudson River's mouth.</span></p><p><span style="font-size:85%;"><span style="font-family:Times New Roman;">Gray is</span> the color of history, too. Time blurs the sharp distinctions of black and white.</span></p><p><span style="font-size:85%;">People are a-stir in their cabins. Today will soon enter, stage left, for Act I. Scene I.</span><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Second Breakfast</span></strong><br /><br /><span style="font-size:85%;">The first is driven, commandeered by insensitive, impatient Hunger.</span></p><p><span style="font-size:85%;">The second, though, is contemplative. Choices are carried out to the next starboard column of significance. The luxury of unassigned time fleshes out the anticipation and refines the experience.</span></p><p><span style="font-size:85%;">Nuances matter.</span><br /><br /><span style="font-size:85%;"></span><br /><span style="font-size:85%;"><strong>Relationships</strong></span><br /><br /><span style="font-size:85%;">A huge ship of steel! Steel ribs. Steel plates. Steel decks. All painted in brilliant white.</span><br /><span style="font-size:85%;">Inside, she glows with the rich browns of lovingly polished woods.</span><br /><br /><span style="font-size:85%;">Steel is newly come to our specie's awareness. Wood, in contrast, has been our companion for millennia. Wood's warmth shields us from the harsh reality of cold modern metal much as the steel of the ship protects us from the forces of the sea.</span><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Wordplay</span></strong><br /><br /><span style="font-size:85%;">Here comes the tender alongside. A quirk of language bestows the same word on a small boat in service to a ship as to a boat of poor lateral stability -- a 'tippy' boat.</span><br /><br /><span style="font-size:85%;">In what coin does the ship tip the tender for extraordinary service, I wonder?</span><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Waiting for afternoon</span></strong><br /><br /><span style="font-size:85%;">There's no one in the hot tub. No one in the pool. A few people sit, and sip, and read. Some gently graze the counters of food displayed, provided in great abundance.</span><br /><br /><span style="font-size:85%;">The tenders come alongside, exchange people with the ship and leave again for the cay. I sip coffee and wait for my Lady, my party of one, to return. And for the afternoon to begin. It's really the same thing, you see. An afternoon without my Lady is not really an afternoon, but something less.</span><br /><br /><span style="font-size:85%;">I scribble words in my journal.</span><br /><br /><span style="font-size:85%;">It's so quiet ... </span><br /><br /><span style="font-size:85%;"></span><br /><span style="font-size:85%;"><strong>Wardrobe change</strong></span><br /><br /><span style="font-size:85%;">In the casino they're replacing the felts on the blackjack tables with new ones while the passengers are ashore.</span><br /><br /><span style="font-size:85%;">The joyful gamblers of the evening hours must never see that Lady Luck's garments have become tattered and faded ... that hope, too, grows old.</span><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Sunday, northward, 6/6/09</span></strong><br /><br /><strong><span style="font-size:85%;">7AM</span></strong><br /><br /><span style="font-size:85%;">Cabin beside cabin, deck atop deck, people sleeping away the debris of the night or snuggling into a last quick blanketed nap before breakfast.</span><br /><br /><span style="font-size:85%;">Above them Horatio's hoards the early morning quiet. I sit there, sipping dark coffee, watching the water and enjoying the last of the ebbing silence.</span><br /><br /><span style="font-size:85%;">Our cruise, like the sunlit skies above the inky depths of the sea, brightens for a moment the surface of our lives.</span><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Two ocean views</span></strong><br /><br /><span style="font-size:85%;">The ocean presents its surface to the eye as a myriad of glittering wavelets.</span><br /><br /><span style="font-size:85%;">It's only later, by looking very carefully, that we can sense the underlying pattern of slowly advancing swells.</span><br /><br /><br /><span style="font-size:85%;"></span><br /><span style="font-size:85%;">Tiny yellow ocher plants in patches the size of dinner plates, adrift in rows on an intensely blue ocean.</span><br /><br /><span style="font-size:85%;">What strange creatures come to graze these miniature pastures?</span><br /><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Tea time and courage</span></strong><br /><br /><span style="font-size:85%;">The falling tide of British colonialism left behind many traditions stranded in strange places. One of them, tea time, managed to stow aboard our cruise ship.</span><br /><br /><span style="font-size:85%;">In the afternoon on sea days we savor tempting cakes in an aural setting of classical music. A young lady sits at the piano, playing perhaps as much for herself as for the little groups of people chatting comfortably at the tables. I wonder if she would feel it an intrusion if I rose and turned pages for her? I remain seated. Waiters circulate silently. The music, far more than the cakes, satisfies a hunger for me.</span><br /><br /><span style="font-size:85%;">Do the people listening know the endless hours of practice behind the apparently effortless unfolding of the pages of Clair de Lune? What do they understand of sight-reading musical scoring? Have they ever heard Suite bergamasque in its entirety?</span><br /><br /><span style="font-size:85%;">Why courage? Our talented, unassuming pianist, now many miles and many months away from her Romanian homeland, is making her way in a world of strangers with nothing but her playing to protect her. Do the listeners, the tea-sippers, know that? Do they see that she relies only on the armor of the most abstract, most transparent and most fleeting of all the arts ... music?</span><br /><br /><span style="font-size:85%;">Like British traditions, courage can be found in unexpected places. It was present in that lounge, alive and well in the heart of young lady seated at the piano, bringing to life once again the music, the beautiful legacy of Claude Debussy.</span><br /><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">People notes</span></strong><br /><br /><span style="font-size:85%;">Musical notes are much the same as people. Those with true staying power are clothed in the plainest dress. The brilliantly beribboned semihemidemiquavers last but an instant.</span><br /><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Monday, last day at sea, 6/8/09</span></strong><br /><br /><strong><span style="font-size:85%;">Lido deck, 7AM</span></strong><br /><br /><span style="font-size:85%;">Coffee. Warm, rich, freshly brewed.</span><br /><br /><span style="font-size:85%;">The ancient Egyptians had their Ceremony of the Opening of the Mouth. I indulge myself in a slow, ritual observance of the opening of my eyes.</span><br /><br /><span style="font-size:85%;">Coffee.</span><br /><br /><span style="font-size:85%;">Warm.</span><br /><br /><span style="font-size:85%;">Rich.</span><br /><br /><span style="font-size:85%;">Freshly brewed.</span><br /><br /><br /><span style="font-size:85%;"></span><br /><strong><span style="font-size:85%;">Today and tomorrow</span></strong><br /><br /><span style="font-size:85%;">Complex cities of clouds float above the horizon. At sea there are no trees, no hills, no buildings to block the view. The world of land will soon close in around us. The far horizon will be no more.</span><br /><br /><span style="font-size:85%;">This is our last day to enjoy the magic of the Miracle. We exist in the moment. Tomorrow we'll be putting the last of our things into bags, closing zippers, peering into dark closets and drawer corners seeking possible stowaways.</span><br /><br /><span style="font-size:85%;">Then we'll trundle our gear off the ship.</span><br /><br /><span style="font-size:85%;">Everyday waits patiently for us at the dock.</span></p>Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com0tag:blogger.com,1999:blog-2474698343756803551.post-48481024459611742812008-07-09T19:40:00.000-07:002014-05-28T19:06:15.069-07:00Saturday NightsIt’s not the same now. Nothing ever is, you know. The Village I knew so many years ago is gone, the people dispersed or dust now. But it was really quite a place then, the Village I knew. Streets filled with young people overstuffed with hope and ambition, armored in invincibility, suspended in time for so very few years between the generations of Kerouac and Leary. Coffeehouses in abundance, a few to a block. Intense conversations at every table, as often centered on existentialism as not. We were something way back then, I'll tell you.<br />
<br />
Saturday nights – no, make that summer Saturday nights – were special. Washington Square was the great evening gathering place. From dusk on into the far corners of the night the Square was brimming with people and talk and song.<br />
<br />
Let’s set the scene. It’s about 8:30 in the evening. The last dim glow of the day can still be seen in the west down the street between the buildings. In one corner of the park a man sitting on a bench takes an accordion from its case and begins playing while singing softly in Italian. The song’s Core ‘ngrato. From all over the Square singles, couples, trios and more begin to move toward him, drawn by the music. As they slowly coalesce and form a circle around him they start to sing along in Italian. The music slowly swells along with the group. Song after song, each louder, richer, perfumes the evening with under-notes of rich oregano, espresso, sambuca.Two policemen were assigned in those days to keep order. Their instructions were simple: keep groups from becoming crowds. [Crowds become mobs.] They stay together and stand, waiting, near the fountain. They talk police talk quietly to each other. Like scientists working with fissionable uranium, they have winkled out the exact size of a critical mass. They wait, talk, and watch.<br />
<br />
At some point the growing group of singers triggers a response from the policemen. They walk slowly, without swagger, sure of their timing and the people’s response. When they reach the perimeter of the impromptu chorus they request politely for the singers to move on. There’s no argument. The singers know well the rules of the game. The crowd begins to disassemble; a living Lego destined for transformation.<br />
<br />
In another corner of the park another musician, on cue, begins playing a guitar and singing; this time in Spanish. The people, strung out now in moving knots along the pathways, coalesce to form a new chorus. Again the singing, this time in Spanish, slowly grows louder. Cumin and sea-dark tannic tempranillo.The policemen, back at the fountain, wait and talk as before.<br />
<br />
For hours the scene repeats itself. Each time the group, quicksilver-like, breaks up at the touch of the law and reassembles, the language of its songs magically changed. French, and the scents are tarragon and inky Bordeaux. Then Russian caviar and a samovar of Caravan tea. Next, Scandinavian aquavit and cardamom. The people join in, somehow knowing the words and spirit of the songs. The policemen talk in low tones and wait. And watch.<br />
<br />
As the scene fades from memory, my eyes fill with an old man’s tears.Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com2tag:blogger.com,1999:blog-2474698343756803551.post-89125123509788059572008-07-07T17:39:00.000-07:002008-07-08T04:23:02.917-07:00A Way of ThinkingA few years ago, a topic of after-dinner conversation was the concept of the two ‘cultures’ existing within the world of higher education: the liberal arts culture and the science culture.<br /><br />There were many pages written to define what was meant by ‘culture’ and to distinguish between these two particular types. One area which came under scrutiny was how each approached problems and solved them. Of all the explanations, I think none exceeded the following for simple charm as well as depth of insight.<br /><br />A college, it was said, wished to track incoming students to either the sciences or the liberal arts. To achieve this as quickly and efficiently as possible, the following two-step test was developed.<br /><br />Step A.<br /><br />A student to be tested is shown into a room. There is a sink with a cold water faucet [turned off], a gas stove [unlit], a table with a box of matches on it and, on the floor, an empty kettle. The student is asked to boil water.<br /><br />All of the students tested pick up the kettle, go to the sink, open the tap, put water in the kettle, turn off the tap and place the kettle on the stove. They then go to the table, get the matches, turn on and light the gas and wait until the water in the kettle boils.<br /><br />Step B<br /><br />A student who had completed Step A is again shown into the same room. Now, the kettle already contains water and is already in position on the stove. The stove is unlit and the box of matches is sitting on the table. The student is again asked to boil water.<br /><br />The students best suited to the liberal arts go to the table, get the matches, turn on and light the gas and wait until the water in the kettle boils.<br /><br />The students best suited to the sciences take the kettle from the stove, go to the sink, empty the kettle and place it on the floor.<br /><br />The science types solve the Step B problem by reducing it to the Step A problem, which they've already solved.Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com0tag:blogger.com,1999:blog-2474698343756803551.post-65231232881849492632008-07-07T12:57:00.000-07:002008-07-07T12:58:40.258-07:00Instructions‘I’m in iambic pentameter and<br />If you will note the quotes ‘round “&”,<br />& call it by its proper name, (Please do!),<br />You’ll find that now my lines will scan, thank you.’Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com0tag:blogger.com,1999:blog-2474698343756803551.post-80966005213996514072008-07-07T04:18:00.000-07:002008-07-07T04:28:52.859-07:00Now and ThenI look back on my Village days<br /><br />so filled with life -- the many ways<br /><br />we used to revel! Swords of light<br /><br />arrayed against the dark of night.<br /><br /><br />Yes, we were quite another kind:<br /><br />bright Knights and Ladies of the mind.<br /><br />Bring on the World! Its equal, we<br /><br />would conquer all that we could see.<br /><br /><br />But now my world’s grown rather thin.<br /><br />I rest. I take my medicine<br /><br />when it is time. My Lady sits<br /><br />across the room. She hums. She knits.Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com1tag:blogger.com,1999:blog-2474698343756803551.post-76801863551466875222008-07-06T15:16:00.000-07:002008-09-23T15:21:05.760-07:00A New LawYou’ve probably heard of Murphy’s Law [‘If something can go wrong, it will.’] and the Finagle Factor [tweaking data to make it fit better.] There are other examples, often growing out of a specialized field of knowledge. Parkinson’s Law and the Peter Principle fall into that group.<br /><br />In the sciences, words such as ‘law’ and ‘factor’ and ‘theory’ have precise meanings. You can find them in any decent dictionary. But in common usage, a law is thought of as something which is proven while a theory is still open to question. Using the common definition, laws such as Murphy’s are really theories. No one to date has come up with a formal proof for any one of them. We may suspect they’re true, but we simply can’t be sure. We've no firm proof.<br /><br />I’ve stumbled [breaking my toe in the process] on a new law which sums up much of the pioneering work of Murphy, Finagle and several others. My debt to them is great. As Newton said, ‘If I have seen farther than others, it is because I have stood on the shoulders of giants.’ I call it the Law of Maximization of Misery for short. Here it is in its complete form:<br /><br />"<strong>Events will conspire to produce a maximum of misery for the individual(s) at their focal point</strong>."<br /><br />If you’ve been following this, you’re asking, ‘So where’s the proof?’ I’m going to take a page from Einstein here and make use of a ‘thought’ experiment. Here we go!<br /><br />[begin thought experiment]<br /><br />You have a key ring with two keys. They look so much alike that in dim light you can’t tell them apart. One opens your front door and the other doesn’t. You come home at night, take out the key ring and select a key to open the door.<br /><br />Now, you know just as well as I do that you’ll select the wrong key first more often than not. This is especially true when it’s raining or when you have your arms full of packages or when you can hear the telephone ringing. If all three are happening at the same time, chances are you'll not only select the wrong key but you'll also drop the key ring [prediction based on Murphy's 'Law'.]<br /><br />If you have a scientific bent, it won’t take you long to try and see if the wrong key choice really occurs more of the time than chance would dictate. You begin carrying a piece of paper and a pencil with you. You jot down which key you choose each time you try to unlock the door. After a decent length of time, say six months or so, you tally the data. Sure enough, you find that you’ve been choosing the ‘right’ key about half the time after all, within the normal statistical limits of uncertainty.<br /><br />[end thought experiment]<br /><br />Let’s review the experiment. Remember, the Law states that events will maximize your misery. It's important to fix this concept firmly in mind as we consider the results of the experiment.<br /><br />Before you started keeping track of the choices you were picking the wrong key more often than chance would permit. Your misery was maximized, in full accordance with the Law.<br /><br />Here comes the tricky part [really, a 'key' part] of the proof. In the second step, when you carefully recorded your choices, you knew, a priori, that the statistics of an even choice were being violated before you started collecting the data. But when you recorded the data and examined it, you found you couldn't prove it. Your misery was again maximized, <em>just as the Law requires!</em><br /><br />We can extract another conclusion from the experiment: making an attempt to prove [or to disprove] the Law of Maximization of Misery shall, after a review of the data, prove the Law of Maximization of Misery. This byproduct of our little thought experiment probably falls into the category of the Law of Unintended Consequences.<br /><br />Quod erat demonstrandum.<br /><br />Sidebar: In the first part of the experiment, the Law forces you to pick the wrong key more of the time, <em>but not all of the time</em>. If you picked the wrong key all the time, you would adopt a reverse strategy and open the door with the unpicked key. Misery would not be maximized under such conditions, and a violation of the law would be created. There's more than a whiff of Zen about an unpicked key, however. The concept of an un-chosen key, on analysis, falls outside the limits of this paper.<br /><br />Sidebar to sidebar: If you're a game enthusiast [as opposed to gaming enthusiast], you might find a chuckle in the 'reverse' nature of the 'proof' of the Law and the wordplay of misery/miseré. It's suggested in the above comment. Wheels within wheels.Torus34http://www.blogger.com/profile/01722984414668335537noreply@blogger.com0